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United States v. Wong Kim Ark, 169 U.S. 649 (1898), was a landmark decision of the U.S. Supreme Court which held that "a child born in the United States, of parents of Chinese descent, who, at the time of his birth, are subjects of the Emperor of China, but have a permanent domicile and residence in the United States, and are there carrying on business, and are not employed in any diplomatic or official capacity under the Emperor of China", automatically became a U.S. citizen at birth. This decision established an important precedent in its interpretation of the Citizenship Clause of the Fourteenth Amendment to the Constitution.
Wong Kim Ark, who was born in San Francisco in 1873, had been denied re-entry to the United States after a trip abroad, under the Chinese Exclusion Act, a law banning virtually all Chinese immigration and prohibiting Chinese immigrants from becoming naturalized U.S. citizens. He challenged the government's refusal to recognize his citizenship, and the Supreme Court ruled in his favor, holding that the citizenship language in the Fourteenth Amendment encompassed the circumstances of his birth and could not be limited in its effect by an act of Congress. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
From 1643 to 1650, political power lay mostly in the hands of the prince regent Dorgon. Under his leadership, the Qing conquered most of the territory of the fallen Ming dynasty, chased Ming loyalist regimes deep into the southwestern provinces, and established the basis of Qing rule over China proper despite highly unpopular policies such as the "hair cutting command" of 1645, which forced all Qing male subjects to shave their forehead and braid their remaining hair into a queue resembling that of the Manchus. After Dorgon's death on the last day of 1650, the young Shunzhi Emperor started to rule personally. He tried, with mixed success, to fight corruption and to reduce the political influence of the Manchu nobility. In the 1650s, he faced a resurgence of Ming loyalist resistance, but by 1661 his armies had defeated the Qing's last enemies, Koxinga and the Prince of Gui, both of whom would succumb the following year. (Full article...)
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Jin dynasty (blue) and Song dynasty (orange) in 1141
The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.
Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song. (Full article...)
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The 2001 Tiananmen Square self-immolation incident took place in Tiananmen Square in central Beijing, on the eve of Chinese New Year on 23 January 2001. There is controversy over the incident; Chinese government sources say that five members of Falun Gong, a new religious movement that is banned in mainland China, set themselves on fire in the square. Falun Gong sources disputed the accuracy of these portrayals, and claimed that their teachings explicitly forbid violence or suicide. Some journalists have claimed that the self-immolations were staged.
According to Chinese state media, a group of seven people had travelled to Beijing from Henan province, and five set themselves on fire on Tiananmen Square. In the Chinese press, the event was used as proof of the dangers of Falun Gong, and was used to legitimise the government's campaign against the group. (Full article...)
Hu lived in Nanjing during the transition from the Ming dynasty to the Qing dynasty. A Ming loyalist, he was offered a position at the rump court of the Hongguang Emperor, but declined the post, and never held anything more than minor political office. He did, however, design the Hongguang Emperor's personal seal, and his loyalty to the dynasty was such that he largely retired from society after the emperor's capture and death in 1645. He owned and operated an academic publishing house called the Ten Bamboo Studio, in which he practised various multi-colour printing and embossing techniques, and he employed several members of his family in this enterprise. Hu's work at the Ten Bamboo Studio pioneered new techniques in colour printmaking, leading to delicate gradations of colour which were not previously achievable in this art form. (Full article...)
Yao, who was born in Shanghai, started playing for the Sharks as a teenager, and played on their senior team for five years in the CBA, winning a championship in his final year. After negotiating with the CBA and the Sharks to secure his release, Yao was selected by the Rockets as the first overall pick in the 2002 NBA draft. He reached the NBA playoffs four times, and the Rockets won the first-round series in the 2009 postseason, their first playoff series victory since 1997. In July 2011, Yao announced his retirement from professional basketball because of a series of foot and ankle injuries which forced him to miss 250 games in his last six seasons. In eight seasons with the Rockets, Yao ranks sixth among franchise leaders in total points and total rebounds, and second in total blocks. (Full article...)
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Beato c. 1866
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him the opportunity to create images of countries, people, and events that were unfamiliar and remote to most people in Europe and North America. His work provides images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represents the first substantial body of photojournalism. He influenced other photographers, and his influence in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting. (Full article...)
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A cannon is a large-calibergun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon.
The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed. In the modern era, the term cannon has fallen into decline, replaced by guns or artillery, if not a more specific term such as howitzer or mortar, except for high-caliber automatic weapons firing bigger rounds than machine guns, called autocannons. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
Lactarius indigo, commonly known as the indigo milk cap, indigo milky, indigo lactarius, blue lactarius, or blue milk mushroom, is a species of agaric fungus in the family Russulaceae.
The fruit body color ranges from dark blue in fresh specimens to pale blue-gray in older ones. The milk, or latex, that oozes when the mushroom tissue is cut or broken (a feature common to all members of the genus Lactarius) is also indigo blue, but slowly turns green upon exposure to air. The cap has a diameter of 4–15 cm (2–6 in), and the stem is 2–8 cm (3⁄4–3+1⁄8 in) tall and 1–2.5 cm (3⁄8–1 in) thick. (Full article...)
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Choe Bu (Korean: 최부, 1454–1504) was a Korean diarist, historian, politician, and travel writer during the early Joseon Dynasty. He was most well known for the account of his shipwrecked travels in China from February to July 1488, during the Ming dynasty (1368–1644). He was eventually banished from the Joseon court in 1498 and executed in 1504 during two political purges. However, in 1506 he was exonerated and given posthumous honors by the Joseon court.
Choe's diary accounts of his travels in China became widely printed during the 16th century in both Korea and Japan. Modern historians also refer to his written works, since his travel diary provides a unique outsider's perspective on Chinese culture in the 15th century. The attitudes and opinions expressed in his writing represent in part the standpoints and views of the 15th century Confucian Korean literati, who viewed Chinese culture as compatible with and similar to their own. His description of cities, people, customs, cuisines, and maritime commerce along China's Grand Canal provides insight into the daily life of China and how it differed between northern and southern China during the 15th century. (Full article...)
Brady was born an American citizen in Tientsin, China, and traveled frequently as a child, spending time in Los Angeles, California, British Columbia, and Austin, Texas. She studied in the University of California system, receiving her bachelor's and master's degrees, and her Ph.D. in 1935. She next became an English instructor at that university's College of Agriculture, and worked as an assistant professor of languages and literature at Berkeley from 1941 to 1946. The following three years were spent at the University of Pennsylvania, until, at the end of 1949, Brady moved to teach at Central Oregon Community College; her resignation due to "ill health" was announced a few months later. After being named the 1952–53 Marion Talbot Fellow of the American Association of University Women and writing two articles, Brady's scholarship ceased for a quarter of a century. In 1979, and posthumously in 1983, her final two articles were published. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
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Zhou Tong stroking his beard
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
... that the bird subspecies Alcippe dubia genestieri is named after Annet Genestier, a French missionary-botanist in China who also built Zhongding Catholic Church in 1908?
...that Tui bei tu, a banned 7th century prophecy book about China which has been compared to the work of Nostradamus, became a bestseller in the 1990s?
Beijing cuisine, also known as Jing cuisine, Mandarin cuisine and Peking cuisine and formerly as Beiping cuisine, is the local cuisine of Beijing, the national capital of China. (Full article...)
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The Bahamas sent a delegation of athletes to compete in the 2008 Summer Olympics, which were held in Beijing, People's Republic of China from 8 to 24 August 2008. Its Beijing appearance marked its fourteenth time at the Olympics since its début at the 1952 Summer Olympics in Helsinki. The delegation included 25 athletes across four sports (track and field, boxing, swimming and tennis) and nineteen distinct events. Its athletes advanced to semifinals in eight events and finals in five events, medaling in two of them (a silver in men's 4x400 meters relay by Andretti Bain, Michael Mathieu, Andrae Williams, Chris Brown, Avard Moncur and Ramon Miller, and a bronze in men's triple jump by Leevan Sands). The Bahamian delegation was one of the largest sent between its début and 2008. The country's flag bearer was Debbie Ferguson-McKenzie. (Full article...)
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The Chinese cruiser Jingyuan in August 1887 while in the Solent near Portsmouth
Both ships were assigned to the Beiyang Fleet. Jingyuan was part of a flotilla which toured ports during the summer of 1889. Jingyuan first saw action during the First Sino-Japanese War. At the Battle of the Yalu River on 17 September 1894, she was one of the surviving Chinese cruisers, although suffered fire damage. She was sunk the following February during the Battle of Weihaiwei from a shot fired from a captured Chinese fort. She sank upright in shallow water, and Admiral Ding Ruchang gave orders for her to be destroyed by a naval mine. She was raised the following year for scrap. (Full article...)
The number of speakers across all its dialects may be 5–6 million, including the vast majority of the residents of Mongolia and many of the ethnic Mongol residents of the Inner Mongolia of China. In Mongolia, Khalkha Mongolian is predominant, and is currently written in both Cyrillic and the traditional Mongolian script. In Inner Mongolia, it is dialectally more diverse and written in the traditional Mongolian script. However, Mongols in both countries often use the Latin script for convenience on the Internet. (Full article...)
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Red yeast rice or red rice koji is a bright reddish purple fermented rice, which acquires its color from being cultivated with the mold Monascus purpureus. Red yeast rice is what is referred to as a kōji in Japanese, meaning "grain or bean overgrown with a mold culture", a food preparation tradition going back to ca. 300 BC.
After travelling to the capital of Chang'an, Zhang was unsuccessful in seeking a position at court. He spent the latter half of his life travelling to famous places and composing poetry. The majority of his surviving poems are on historical topics and famous places he visited in his travels. (Full article...)
The First Battle of Maryang-san (3–8 October 1951), also known as the Defensive Battle of Maliangshan (Chinese: 馬良山防衛戰; pinyin: Mǎliáng Shān Fángyù Zhàn), was fought during the Korean War between United Nations Command (UN) forces—primarily Australian, British and Canadian—and the Chinese People's Volunteer Army (PVA). The fighting occurred during a limited UN offensive by US I Corps, codenamed Operation Commando. This offensive ultimately pushed the PVA back from the Imjin River to the Jamestown Line and destroyed elements of four PVA armies following heavy fighting. The much smaller battle at Maryang-san took place over a five-day period, and saw the 1st Commonwealth Division dislodge a numerically superior PVA force from the tactically important Kowang-san (Hill 355), Hill 187, and Maryang-san (Hill 317, a.k.a. Hill 315) features.
Using tactics first developed against the Japanese in New Guinea during the Second World War, the Australians gained the advantage of the high ground and assaulted the PVA positions from unexpected directions. They then repelled repeated PVA counterattacks aimed at re-capturing Maryang San and Kowang-san (the latter on 12 October), with both sides suffering heavy casualties before the Australians were finally relieved by a British battalion. However, with the peace-talks ongoing, these operations proved to be the last actions in the war of manoeuvre, which had lasted the previous sixteen months. It was replaced by a static war characterised by fixed defences reminiscent of the Western Front in 1915–17. A month later, the PVA re-captured Maryang San during fierce fighting, and it was never re-gained. Today, the battle is widely regarded as one of the Australian Army's greatest accomplishments during the war. (Full article...)
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Li He, as depicted in the 1743 book Wanxiaotang Zhuzhuang Huazhuan (晩笑堂竹荘畫傳).
The Battle of Kowloon (Chinese: 九龍海戰) was a skirmish between British and Chinese vessels off the Kowloon Peninsula, China, on 4 September 1839, located in Hong Kong, although Kowloon was then part of the Guangdong province. The skirmish was the first armed conflict of the First Opium War and occurred when British boats opened fire on Chinese war junks enforcing a food sales embargo on the British community. The ban was ordered after a Chinese man died in a brawl with drunk British sailors at Tsim Sha Tsui. The Chinese authorities did not consider the punishment to be sufficient as meted out by British officials, so they suspended food supplies in an attempt to force the British to turn over the culprit.
Captain Charles Elliot was the chief superintendent of British trade in China, and he sailed to Kowloon in the cutterLouisa for food supplies during the embargo, accompanied by the schoonerPearl and a pinnace from HMS Volage. They encountered three Chinese junks, and Elliot sent interpreter Karl Gutzlaff with demands to allow the supply of provisions. He finally delivered an ultimatum after several hours of correspondence: the junks would be sunk if supplies were not received. The stated time period expired with no results, so the British opened fire on the junks, which returned fire with support from the on-shore fort. The larger junks pursued the British boats which were sailing away after running low on ammunition, but the British re-engaged the ships after replenishing their ammunition, and the Chinese retreated to their former position, ending the clash in a stalemate. (Full article...)
The Forbidden City was constructed from 1406 to 1420, and was the imperial palace and winter residence of the Emperor of China from the Ming dynasty (since the Yongle Emperor) to the end of the Qing dynasty, between 1420 and 1924. The Forbidden City served as the home of Chinese emperors and their households and was the ceremonial and political center of the Chinese government for over 500 years. Since 1925, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artifacts was built upon the imperial collections of the Ming and Qing dynasties. The Forbidden City was declared a World Heritage Site in 1987. (Full article...)
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Titular inscription at the entrance to the "Yeren Cave" in Shennongjia
The yeren (Chinese: 野人, 'wild man') is a cryptid apeman reported to inhabit remote, mountainous regions of China, most famously in the Shennongjia Forestry District in the Hubei Province. Sightings of "hairy men" have remained constant since the Warring States Period circa 340 BC through the Tang dynasty (618–907 AD), before solidifying into the modern legend of the yeren. Generally, they are described as savage, strong, and fast-moving, living in mountain caves and descending only to raid villages in search of food or women.
Scientific interest in such apemen erupted in the 1950s and 1960s in conjunction with pseudoscientific discoveries relating to Bigfoot and the yeti, but pressure by the Maoist government to leave behind these kinds of legends and folk stories repressed further interest in the yeren until its dissolution in 1976. Afterwards, large expeditions were launched by the Chinese Academy of Sciences to investigate alleged eyewitness accounts, footprints, hairs, and bodies as "yeren fever" took hold, with scientists working with an unprecedented reliance on citizen science. The yeren was often speculated to be a far removed human relative, such as Gigantopithecus or Paranthropus robustus. All forwarded evidence of the creature originated from known animals — namely bears, monkeys, and gibbons — and scientific interest waned by the late 1980s. Nonetheless, organized yeren research still persists, though no serious scientific institutions recognize such apemen. (Full article...)
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Mexican forces outside the Casino de la Laguna
The Torreón massacre (Spanish: Matanza de chinos de Torreón; Chinese: 萊苑慘案) was a massacre that took place on 13 - 15 May 1911 in the Mexican city of Torreón, Coahuila. A total of 308 people were killed, which amounting to half the Chinese community in Torreón. The victims were accused of collusion with Porfirio Díaz were killed by a local mob and the revolutionary forces of Francisco I. Madero. A large number of Chinese homes and shops were looted and destroyed.
Torreón was the last major city to be taken by the Maderistas during the Mexican Revolution. When the government forces withdrew, the rebels entered the city early in the morning and, along with the local population, began a ten-hour massacre of the Chinese community. The event sparked a diplomatic crisis between Qing China and Mexico, with the former demanding 30 million pesos in reparations. At one point, it was rumored that Qing China had even dispatched a warship to Mexican waters (the cruiser Hai Chi, which was anchored in Cuba at the time). An investigation into the massacre concluded that it was an unprovoked act of racism. (Full article...)
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The entrance of Causeway Bay Books. It has been closed since the disappearance of its fifth staff member, Lee Bo.
The Causeway Bay Books disappearances are a series of international disappearances concerning five staff members of Causeway Bay Books, a former bookstore located in Causeway Bay, Hong Kong. Between October and December 2015, five staff of Causeway Bay Books went missing. At least two of them disappeared in mainland China, one in Thailand. One member was last seen in Hong Kong, and eventually revealed to be in Shenzhen, across the Chinese border, without the travel documents necessary to have crossed the border through legal channels.
It was widely believed that the booksellers were detained in mainland China, and in February 2016 Guangdong provincial authorities confirmed that all five had been taken into custody in relation to an old traffic case involving Gui Minhai. While response to the October disappearances had been muted, perhaps in recognition that unexplained disappearances and lengthy extrajudicial detentions are known to occur in mainland China, the unprecedented disappearance of a person in Hong Kong, and the bizarre events surrounding it, shocked the city and crystallised international concern over the possible abduction of Hong Kong citizens by Chinese public security bureau officials and their likely rendition, and the violation of several articles of the Basic Law. In his report to the British government and parliament in early January 2016, foreign secretary Philip Hammond said the incident was "a serious breach of the Sino-British Joint Declaration on Hong Kong and undermines the principle of one country, two systems". (Full article...)
Chen was abandoned as an infant, and then lost both foster parents during early childhood. Before becoming a film director, Chen worked mainly in drama. His patriotic play Put Down Your Whip was highly influential and performed countless times during the Japanese invasion of China. During the war he also made a famous staging of the play Qu Yuan, and wrote one of the first Chinese books on film theory. (Full article...)
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A Haien-class frigate, either Haian or Yuyuen
Yuyuen (Chinese: 馭遠; pinyin: Yùyuǎn; Wade–Giles: Yu-yuen) was a wooden steam powered frigate built for the Imperial Chinese Navy. She was one of two ships of the Haian class, which consisted of her and her sisterHaian. They were the largest vessels built in China until the 1930s; they each ran over budget and used sub-standard building materials which limited their use. She was active in the defence of Nanking during the Sino-French War, and formed part of a squadron which was sent to relieve the blockade of Formosa. Yuyuen was sunk in Shipu Bay during the Battle of Shipu on 15 February 1885. (Full article...)
Image 8Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 16Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 17Main hall and tea house in Dunedin Chinese Garden (from Chinese culture)
Image 18Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 19Hair Ornament, China, c. 19th century (from Chinese culture)
Image 20Jichang Garden in Wuxi (1506–1521), built during the Ming dynasty, is an exemplary work of South Chinese style garden. (from Chinese culture)
Image 48Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 49Range of Chinese dialect groups according to the Language Atlas of China. (from Chinese culture)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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